Consider this a P.S. from last week's Marketing Mondays. In that post I talked about Giving and Taking--how much can you give professionally without feeling ripped off, and how much can you take without ripping off--but this week I'd like to focus on the positive.
I'll tell you my story. I hope to hear yours.
In the early eighties I had been contributing articles to Fiberarts Magazine. I'd developed a good working relationship with the editor, Jane Luddecke, and when she decided to leave the position to focus more deeply on her creative activities, she urged me to apply for the job. She could have recommended a working editor--she knew plenty of them in New York City where she had worked previously--but she recommended me. Though I didn't know anything about editing, I had some writing skills and a ton of ideas, and was (even then) nothing if not organized. Long story short, the publisher and owner, Rob Pulleyn, hired me, and I moved to Asheville, North Carolina, to learn to be an editor. It was on-the-job training. The magazine was a staff of one (moi) with in-house clerical help and a network of freelancers--a huge job of 12-hour days, seven days a week. Pretty much the only other thing I remember doing besides working was my laundry. But it was a gift, that job, because it allowed me to focus on a topic I love, textiles and the artists who make them, and it gave me a skill that would get me to New York. Twelve solid bimonthly issues later I moved to Manhattan--working first at Women's Wear Daily, then for Conde Nast Publications--and I was able to support myself and my art editorially until art was able to take over and do the heavy lifting.
Luddecke's kindness in suggesting to me, a financially strapped young artist--emphasis on financially strapped and young artist--that I had a skill worth using in a larger way,made a huge difference in my career, one I continue to realize over time. And her gift to me is one of the reasons I have been able to produce Marketing Mondays each week for you.
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