The sign at Julie Heller Gallery; photo by Corina S. Alvarezdelugo
I just spent a couple of weeks in Provincetown to prepare for and direct the International Encaustic Conference, an event I founded and run in co-production with Truro Center for the Arts. As anyone from Massachusetts can tell you, the Cape is a place like no other. And Provincetown is a place like no other on the Cape. Just two and a half hours from Boston (when there's no traffic), P-town is light years away from the hot city, brushed by cool breezes and bathed in pristine light.
In terms of art, it's not New York City or even Boston, but that's precisely the point. Life across the Sagamore Bridge proceeds at its own pace. There is no rat race. But there's a creative community that has existed for over 100 years. There are some very good galleries showing very good art (in all mediums). I'll try to give you a bit of a reportorial overview.
Pavel Zoubok delivering the keynote talk at the Ninth International Encaustic Conference on June 6. His topic: Collage, Culture, and the Art World. Zoubok's eponymous New York City gallery is focused on a program that considers the myriad ways collage, assemblage and installation express modern and contemporary ideas
What do we talk about at an Encaustic Conference? There are plenty of demos with and talks on the topic of wax, but at the Saturday Morning Panel, which I moderate every year, it's business. This year's subject: Professional Practices: The Big Picture. This group of artists (who are also professors, curators, gallerists, ethicists, and writers) are all gallery-represented working artists with a collective 200 years of experience. From left: Timothy McDowell, Carol Pelletier, Jane Allen Nodine, Fanne Fernow, Miles Conrad, Wendy Haas, and me. Photo: Corina S. Alvarezdelugo
What do you do when you take over a hotel for the weekend? Have a hotel fair. This installation of prints by David A. Clark was one of the best
Photos above and below by the artist
Art spoken here. At the Provincetown Public Libarary, artists Deborah Kapoor and Molly Geissman showed their collaborative project: collages inspired by the letters of Emily Dickinson. Photo: the Internet
The announcement below. Photo: Corina S. Alvarezdelugo
The unique shape of the collages was inspired by an unfolded envelope. Each work was placed on a wide shelf
Notice the sails? The library was once the town's Heritage Museum . . .
. . . which houses a half-size replica of the fishing schooner, the Rose Dorothea. Library photo. More info here
The GalleriesAny trip to Provincetown must include visits to Schoolhouse Gallery, Julie Heller East, Albert Merola Gallery, Rice Polak, Kobalt, and A Gallery, all on Commercial Street. All but the latter are in the East End gallery district; A Gallery is in the West End, right next door to famed Spiritus Pizza
Panorama of Sang-Froid, the current show at Schoolhouse Gallery, up through June 24, with a few individual images below. Sang-froid, the very opposite of hot blooded, is synonymous with coolness, or grace under pressure. Click pic to enlarge.
And here's a video tour of the show
Two from my Silk Road series
Nancy Rubens collages and Jefferson Hayman gelatin and platinum prints
At the Albert Merola Gallery, Michael Mazur drawings and Pat De Groot Paintings
Pat De Groot
Closer view below
At Rice Polak Gallery, up now: William Carroll, above; Larry Calkins below. Carroll will be in a group show July 9-29
At Julie Heller East, the exhibition Casting Shadows, curated Deborah Winiarski, is up through June 18. From left Milisa Galazzi (barely visible); Nancy Youdelman on pedestal, Lynette Haggard, Deborah Winiarski, Youdelman, Fanne Fernow, Winiarski on right wall. Photo: Deborah Winiarski
Foreground: Fanne Fernow. Far Wall: Milisa Galazzi. Photo: Corina S. Alvarezdelugo
At Kobalt Gallery, Cherie Mittenthal in Connexions, through June 16. Photo by the artist
The Provincetown Art Association and Museum (PAAM) is featuring Robert Motherwell: A Centennial Celebration through July 16, in conjunction with the Fine Arts Workshop. There was no photography allowed, so I pulled this image from the PAAM website
Guess who's hanging with Rothko in the museum's bookstore?
Farther west along Commercial Street, A Gallery hosted an ambitious exhibition, One + One. Owners Adam and Marian Peck invited a number of Conference attendees, past and present, to each invite another artist.
Adam Peck and Marian Peck
You can see more images from the exhibition on their gallery's Facebook page
From the entrance, a sweeping view of the front gallery
Below, a panorama of the small back gallery peeking back into the front (at right). Click pics to enlarge
Both photos courtesy of the A Gallery
Lovely pairing: Tracey Adams, top, and Laura Moriarty
Photo: Helen Dannelly
Binnie Birstein and Nancy Natale with their work, top and bottom respectively
Photo: Susan Lasch Krevitt
In the next town over, Truro Center for the Arts at Castle Hill--Castle Hill for short--features a lively summer schedule of workshops and exhibitions. As co-producer of my Conference, it hosted Minimal/Maximal, a show open to conferees that was juried by Mike Carroll, director of Schoolhouse Gallery. I'm not an advocate of "encaustic shows" but we always choose a theme, and a good juror allows that theme to be fully explored within the selections, a few of which you see below.
It also hosted The Incisive Line, curated by Debra Claffey, visible if you scroll down.
Partial panorama of Minimal/Maximal. Click to enlarge
Susan Lasch Krevitt
In a marvelous small show in Gallery 10, an outbuilding on Castle Hill's campus. Debra Claffey curated The Incisvie Line, a four-artist exhibition that lconsidered the linear element within painting.
Lisa Pressman, far wall; Amy Weil, Debra Claffey
On the Castle Hill grounds: a sculpture by Andy Moerlin, who will be teaching at Castle Hill later this month
Note: Most of these exhibitions are no longer up. The Cape's short exhibition seasons means that most shows run for about two weeks. It's always best to check for exhibitions and times