I see the cut out and folded canvas in front of the Hugo Lugo slashed painting-- has it been placed in a plexi box? So which one is art? Or is it the looseleaf paper painting on the wall next to the Lugo? Almost seems like an add on to your trash-or-art post.
Joanne, I'm really enjoying your coverage of ABMB and feeling the holiday spirit, am going right to PayPal to show my appreciation !! Happy Holidays!! Jane
Jane: you made my holiday a little bit brighter. Thank you.
Tamar: The top painting is a "trump loy," as a student once described the genre. That slashed painting is actually a whole painting, rendered to appear as if the strainers are showing. But you are most observant in seeing a painting in the plexi box. It's called "Tercer paisaje robado"--Third Stolen Landscape. A doubletake on the doubletake.
Thank you Joanne for your very thorough and wonderful capture of the Fairs in Miami. I was only there for two days and missed so much, but looking at your pictures help remind me of some of what I did see and helps me to know much more of what was going on.
Thanks for the peek into the shows, Joan. I wish I could have made it there myself, so your posts are very much appreciated! Great job....as always. Meredith
Artist Annell Livingston writes about my work for the new blog, Vasari 21, founded by Ann Landi. Click pic for info and a link
Recent Solo: "Silk Road"
"Joanne Mattera: The Silk Road Series" was at Kenise Barnes Fine Art in Larchmont, New York, May-July. Some paintings are available for viewing at the gallery. Click pic for gallery info
Recent: August Geometry
More than just a summer show. Au-gust: adjective, respected and impressive. At the Marcia Wood Gallery, Atlanta. Click pic for info
Recent
I'm having a great year of exhibitions and catalogs. This volume, published by Space Gallery, Denver, on the occasion of the exhibition, "Pattern: Geometric|Organic," is viewable online and available for sale as a hard-copy volume. Click pic for exhibition info and a link to the catalog. That's my "Chromatic Geometry 29" on the cover
James Panero Reviews Doppler Shift
Writing in The New Criterion, Panero calls Doppler Shift "a smart group show, " noting the work of "artists who interest me most these days." There's a nice shout out to Mary Birmingham, the curator; to Mel Prest, who originated the concept; and to me, among others. Click pic for the review
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"Textility," curated by Mary Birmingham and myself for the Visual Art Center of New Jersey, Summit (where Birmingham is the chief curator), looked at contemporary painting, sculpture and work on paper in which textile elements were referenced or employed. The exhibition is over, but you can see this exhibition on line. Click on the links below to read and see more.
Review of Textility
Click pic to access review. Then click on page images to enlarge them for legibility
Thank You, Ivan
Ivan Karp, legendary art dealer, 1926-2012. Photo by Melanie Eve Barocas. Click pick for my tribute to Ivan, where your comments are welcome
New Digital Prints
Above, "Silk Trail 386." Below: "Silk Trail 339." Both 2012, unique digital prints on 11 x 8.5 inch archival Epson paper. Click either image to see more and find out where they are available
Miami Nice from Artcritical
December 2, 2011: “ . . . stand-out exhibits at Aqua included . . . the funky abstractionist stable of Conrad Wilde Gallery of Tucson, Arizona, amongst them the sensual encaustic monochromes of Joanne Mattera and the biomorphic reliefs of Ruth Hiller."--David Cohen, artcritical.com. Click pic for entire review. Above: John Dempcy, Hiller, Mattera
Miles Conrad, director of Conrad Wilde Gallery, Tucson, and me at the Aqua Art Fair. Photo: artcritical.com
When he was a young man, the New York art dealer Stephen Haller had a brief but life-changing friendship with Giorgio Morandi, who was nearing the end of his days. Click pic below for story.
Haller holding a photograph of himself with Morandi in the early Sixties. Click pic for story
Followers
My book, The Art of Encaustic Painting, was published by Watson-Guptill in 2001. It's the first commercially published book on contemporary encaustic. There are three sections: history, with images of the famed Greco-Egyptian Fayum portraits; a gallery of contemporary painting and sculpture (including the work of Jasper Johns, Kay WalkingStick, Heather Hutchison, Johannes Girardoni and myself), and technical information, including an interview with Michael Duffy, a conservator at the Museum of Modern Art.
5 comments:
I see the cut out and folded canvas in front of the Hugo Lugo slashed painting-- has it been placed in a plexi box? So which one is art? Or is it the looseleaf paper painting on the wall next to the Lugo? Almost seems like an add on to your trash-or-art post.
Joanne, I'm really enjoying your coverage of ABMB and feeling the holiday spirit, am going right to PayPal to show my appreciation !! Happy Holidays!!
Jane
Jane: you made my holiday a little bit brighter. Thank you.
Tamar: The top painting is a "trump loy," as a student once described the genre. That slashed painting is actually a whole painting, rendered to appear as if the strainers are showing. But you are most observant in seeing a painting in the plexi box. It's called "Tercer paisaje robado"--Third Stolen Landscape. A doubletake on the doubletake.
Thank you Joanne for your very thorough and wonderful capture of the Fairs in Miami.
I was only there for two days and missed so much, but looking at your pictures help remind me of some of what I did see and helps me to know much more of what was going on.
Thanks for the peek into the shows, Joan. I wish I could have made it there myself, so your posts are very much appreciated! Great job....as always.
Meredith
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